Influences and Borrowings of “Overseas” Iconography from European Painting in the Chinese Woman's Portrait of the Late 20th Century

Статья посвящена анализу китайской художественной школы в XX веке, которая формировалась в контексте взаимодействия и конкуренции между традиционной китайской живописью гохуа и активным влиянием западной («заморской») живописи сиянхуа, что наглядно видно на примере жанра женского портрета. = The article centers round the analysis of the Chinese art school in the 20th century, which was shaped in the context of the interaction and competition between traditional Chinese ink wash painting and active influence of Western (“overseas”) painting, which is clearly exemplified by the genre of the woman's portrait